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Over the last three decades in
over 3,000 theatrical, educational, and entertainment venues throughout America
and around the world, Cary Trivanovich has done the inconceivable: He has toured
a mime performance that is not only successful, but that also
deeply affects his
audiences.
Through the years, emails have continually poured
into his inbox:
"I can't convey to you how deeply profound and
meaningful I found your performance... you are so inspiring and incredibly
moving... Thank you so much - you don't know what you have done for me,"
writes a student from Northern California.
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Cary Trivanovich at the
Banff Center of the Performing Arts, performing his noted dramatic, Gift of
Life. |
"The depth and range of your performance touched
me in a way that few plays or movies ever have. I wanted to thank you for
opening my eyes to what art really is," writes a dancer from a theatre
conference in Los Angeles.
Cary
contends that his
success or his affect on his audiences have
little to do with talent or ability, but rather with his approach to mime.
Cary Trivanovich began his artistic career
ignorant of how mime was "supposed to be" performed, and began creating
pantomimes following no clear discipline or tradition. He created with the
audience in mind. He wanted what they see on stage to be pantomimes about
themselves - to identify with them. In doing so, Cary inadvertently
created and performed with the same approach that made the art loved in
ancient Greece:
"When
every one of the spectators identifies himself with the scene enacted, when each
sees in the pantomime as in a mirror the reflection of his own conduct and
feelings, then, and not till then, is his success complete. But let him
reach that point, and the enthusiasm of the spectators becomes uncontrollable,
every man pouring out his whole soul in admiration of the portraiture
that reveals him to himself..."
Lucian, 2nd century AD
Cary
Trivanovich believes that Lucian portentously illuminated on the power behind
all art. Relevance, or identifying with the innermost recesses of the
human soul, is a natural law in the arts. With it comes the ability of the
artist to deeply touch, even change lives.
It is with
the passion of getting it, that Cary Trivanovich now hopes to inspire
young artists about the power and significance of their chosen vocation.
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